And you want to know something? They worship my tree! They worship
the ginkgo! It’s in the exact middle of
their world. Those shoots closest to it
take on its shape, coiling around it, and are thus lifted upward. The shoots a few inches away from the ginkgo
also grow upward, but they have no support, so fall back down into the general
piles of stems and leaves¾ground
cover, we call it. If these vines could really talk, they’d be saying to one
another: Get closer to Ginkgo and be
lifted up! You want to know something
else? There’s bindweed growing in my
vine patch below my ginkgo tree.
Bindweed. Bindweed is like my old
friend from home. Did you know that when
you led me to the ginkgo, that eventually I’d discover the bindweed? Some people would call bindweed a vine,
too. But compared to the vine, bindweed
has tendrils (I looked up the right word!).
Back home we hate bindweed. I suspect
you’ll find the reasons interesting, although I really don’t know anything
about you, other than the subliminal information you send out while standing in
front of the class, and the values you reveal by walking a single student
through the museum, and the patience you show by listening to my tales of
Carson County, and the look that crosses your face when I talk about Mindy
Johannes and Terry Spindler. All that
information makes me think you’ll be interested in our reasons for hating
bindweed.
Bindweed
grows anywhere. You can’t kill it. The tiniest shoot gives rise to a whole
plant. Try to dig some up and you find
these white runners going all through the soil.
Even in the middle of a drought, you can stick a shovel into cracked
ground so hard it seems like a sidewalk, then break that shovel trying to turn
over a chunk, and you know what’s alive and healthy underneath? Right.
Bindweed. You stand there with
that clod in your hand, thinking it will take a hammer to break it, and there’s
a white healthy bindweed shoot coming out the side.
You
know what I did one time? My mother was
out working—make that trying to work—in the garden. We have a big garden. My father had brought in a bunch of topsoil
from south of the river and spread it out near the house, and dug in a lot of
manure, to make this garden. It was a
dry year. The dirt was hard. My mother was out taking care of her
tomatoes. She was chopping away at the
bindweed, at its base, so that the runners choking her tomato plants would
die. But I picked up some dirt, and a piece
of bindweed stem, and put them in a plastic cup. Then I put the cup on my window sill and
watered the dirt. You see, I’ve done
this bit with the sprig in the glass of water before.
I
don’t remember how long it took—days, at least, or weeks, maybe, certainly not
months—but the bindweed grew up and all through the venetian blinds. The only dirt it had was that little bit in
the plastic cup. My father came into my
room and asked why I was growing that goddamn bindweed. I told him I was curious about it, since it
was such a pest. He looked at me with a
strange sort of expression, kind of a combination of sadness, and hesitancy,
and something else I can’t even tonight describe. It was almost as if he was saying to me: I wish someone had told me it was all right
to be curious about a pest when I was a child; instead, they told me to kill
pests. But my father hadn’t really told me it was okay to be curious about
a pest. In fact, in a way, I’d told him! Maybe I only reminded him of something he already knew. After all, this was the same man who found an
elephant tooth on his father’s ranch then, by the time he grew up and had
children of his own, forgot to let them go digging for giants in the sand. Or maybe he didn’t forget. Maybe he was just waiting until we were ready
in some way. Are these paper assignments
getting me ready to hear what my father has to teach me about giants? I hope so.
My
mother, however, was not very impressed with my bindweed. You won’t be able to close the blinds, she
said. I told her there was nobody to see
in except coyotes and insects. And she
looked at me with a funny expression, too, sort of like she was saying: When you’re a woman, you don’t even let
coyotes and insects see into your room.
I thought at the time she said that because she was afraid. Since coming down here, I wonder whether she
said it because she thought that if you’re a woman, you don’t give up your
right to be completely alone at times of your own choosing. A coyote looking in your window meant you had
lost your privacy.
Bindweed
represents something that cannot be controlled.
It is insidious, lies buried beneath the surface until some random set
of circumstances liberates it. Then it
goes crazy and covers even the ground cover.
It’s a grasping thing; anything with tendrils is grasping, right? Bindweed is not like my ungrasping vine, but
instead grabs at its
environment. Bindweed does everything
for my little plant community that the Devil is supposed to do for my big
person community. Bindweed would go into
the museum for the express purpose of rearranging its thoughts, knowing in
advance that the rearrangement was not what the gardeners wanted to have
happen.
Although
I know that my parents didn’t think in these terms, and to be perfectly honest
with you, ‘plant community’ would never have entered my vocabulary had I not
enrolled in your course, but nevertheless, I think my mother and father felt, down deep they sensed, what you’re teaching me as
fact: That there are mixtures of kinds
that live together, and interact with one another, thus can be called a community. And I think my parents sensed that the
bindweed was the Devil, or at least the equivalent of the Devil. If my parents thought in terms of devils,
then the devil idea must be inherited in humans, because I sure don’t remember
much talk about devils around our house.
If the idea of a devil is inherited, then humans probably don’t think a
community is complete unless it has a Devil, or at least something that we can
all agree is an enemy. That’s why, if
there isn’t a handy one, they make one, or even choose one from amongst
themselves. So Devils are like fence
gates and other things on the ranch, i.e. stuff you need and find a way to
provide.
My
father must have been fascinated by the fact that I’d brought the Devil into
our house and let it grow. Indeed, I’d
brought the Devil into my bedroom. Even
though I was (and still am) his daughter, something even far deeper than his
sense of good and evil took control of him, something far more primal, and he
was fascinated by a woman who would make a companion of the Devil. And my mother, too, sensed that the bindweed
was the dark face of evil. And to her
there was nothing more evil than to let the coyotes and insects see you in your
bedroom. Or, for that matter, to let anything see into your room. Although it never occurred to me at the time,
my pact with the Devil Bindweed, which grew all through my venetian blinds,
allowed me to see out. My blinds were
opened. I could look out any time and
see the coyotes and insects. In fact,
there were some moonlight nights when I actually watched the coyotes run across
our pasture. Their tails were flying and
they looked like they were having a great time.
Now I realize that my mother and I were looking at the same situation in
two totally different ways, and neither of us knew it at the time.
(THE GINKGO is available as a beautiful trade paperback from createspace, and also on kindle, nook, smashwords, and other e-readers. It should be required reading in English courses [in my humble and totally biased opinion!])
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